{"id":5547,"date":"2020-06-15T09:30:25","date_gmt":"2020-06-15T13:30:25","guid":{"rendered":"https:\/\/latinomusiccafe.com\/?p=5547"},"modified":"2020-06-15T10:07:36","modified_gmt":"2020-06-15T14:07:36","slug":"racism-in-latin-music-and-mlk","status":"publish","type":"post","link":"https:\/\/latinomusiccafe.com\/2020\/06\/15\/racism-in-latin-music-and-mlk\/","title":{"rendered":"Racism in Latin Music and MLK"},"content":{"rendered":"

As we observed the Martin Luther King, Jr. day, I reflected on two books I read recently which pointed out racism in Latin music. Is there still racism in Latin music?<\/p>\n

Note: I originally wrote this blog for Martin Luther King Jr. day in 2014. I’m republishing it and translated it to Spanish due to the situation we are living these days regarding #BlackLivesMatter.<\/em><\/p>\n

Examples of Racism in Latin Music<\/h3>\n

In his book “1 Bala, 2 Combos, y 1 Vida<\/em>“, the late El Gran Combo saxophonist Eddie “La Bala” Perez<\/a> narrated how sometimes hotels would ask Cortijo y su Combo and El Gran Combo<\/a> in their earlier days, to enter through the kitchen and not the main door as they were bands of black musicians.<\/p>\n

Puerto Rican crooner Ruth Fernandez<\/a> narrated a similar story in one of the Banco Popular de Puerto Rico Christmas specials and other interviews. Here’s a video of her story.<\/p>\n