{"id":21605,"date":"2023-04-18T08:59:51","date_gmt":"2023-04-18T12:59:51","guid":{"rendered":"https:\/\/latinomusiccafe.com\/?p=21605"},"modified":"2023-05-22T08:02:14","modified_gmt":"2023-05-22T12:02:14","slug":"cuarteto-coculense-first-mariachi-recording","status":"publish","type":"post","link":"https:\/\/latinomusiccafe.com\/2023\/04\/18\/cuarteto-coculense-first-mariachi-recording\/","title":{"rendered":"Cuarteto Coculense, First Mariachi Recording"},"content":{"rendered":"
“The very first Mariachi recording<\/em>” as identified in the cover of the Cuarteto Coculense 1907-1909 album, precedes the Mexican Revolution and is now at the US Library of Congress<\/a>.<\/p>\n The Cuarteto Coculense was composed of four musicians from the town of Cocula, in the state of Jalisco, Mexico. They had 2 violins, a bass guitar known as the “guitarr\u00f3n<\/em>“, and a small guitar called the “vihuela<\/em>“, which resembles a miniature “guitarr\u00f3n<\/em>” in shape and is much smaller than the size of a normal guitar. The “vihuela<\/em>” sounds like a tenor guitar. Three of its five strings are tuned higher than a guitar to give it a higher pitch. Note that there were no trumpets in the quartet, which today we associate so much with the sound of Mariachis.<\/p>\nMariachi Before the Revolution and the Disc<\/h3>\n