{"id":19134,"date":"2020-10-02T06:01:02","date_gmt":"2020-10-02T10:01:02","guid":{"rendered":"https:\/\/latinomusiccafe.com\/?p=19134"},"modified":"2023-12-31T11:42:15","modified_gmt":"2023-12-31T15:42:15","slug":"songoro-cosongo-parte-2-primeras-versiones-y-hector-lavoe","status":"publish","type":"post","link":"https:\/\/latinomusiccafe.com\/es\/2020\/10\/02\/songoro-cosongo-parte-2-primeras-versiones-y-hector-lavoe\/","title":{"rendered":"\u00abS\u00f3ngoro Cosongo\u00bb Parte 2; Primeras Versiones y H\u00e9ctor Lavoe"},"content":{"rendered":"<p>Las primeras versiones de la canci\u00f3n \u00ab<em>S\u00f3ngoro Cosongo<\/em>\u00ab, y la que hizo <a href=\"https:\/\/es.wikipedia.org\/wiki\/H%C3%A9ctor_Lavoe\" target=\"_blank\" rel=\"noopener noreferrer\">H\u00e9ctor Lavoe<\/a>, evolucionaron del poema que fue parte de una revoluci\u00f3n literaria, la cual examinamos en la <a href=\"https:\/\/latinomusiccafe.com\/es\/2020\/09\/30\/songoro-cosongo-parte-1-revolucion-literaria\/\" target=\"_blank\" rel=\"noopener\"><em>Parte 1<\/em><\/a>.<\/p>\n<p>Esto es el resto de la historia.<\/p>\n<h3>Primeras Versiones de \u00ab<em>S\u00f3ngoro Cosongo<\/em>\u00ab<\/h3>\n<p><a href=\"http:\/\/www.cervantesvirtual.com\/portales\/nicolas_guillen\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nicol\u00e1s Guill\u00e9n<\/a> gustaba de usar el entonces joven g\u00e9nero musical del \u00abson\u00bb como inspiraci\u00f3n para sus poemas. Quiz\u00e1s la raz\u00f3n sea que el son evolucion\u00f3 de la combinaci\u00f3n de blancos y negros en Cuba. En ambos libros, \u00ab<em>Motivos del Son<\/em>\u00bb y en \u00ab<em>S\u00f3ngoro Cosongo<\/em>\u00ab, sus poemas fueron escritos para reflejar la vida de los negros cubanos. Adem\u00e1s, quer\u00eda enfatizar la importancia de la cultura afrocubana en la historia de Cuba.<\/p>\n<figure id=\"attachment_19128\" aria-describedby=\"caption-attachment-19128\" style=\"width: 240px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-19128\" src=\"https:\/\/latinomusiccafe.com\/wp-content\/uploads\/2018\/04\/Hector-Lavoe-Songoro-Cosongo-Eliseo-Grenet.jpg\" alt=\"\" width=\"240\" height=\"202\" \/><figcaption id=\"caption-attachment-19128\" class=\"wp-caption-text\">Eliseo Grenet gustaba de tocar canciones de temas negroides, como \u00abAy Mama In\u00e9s\u00bb, \u00abDuerme Negrita\u00bb, y \u00abNegro Bemb\u00f3n\u00bb.<\/figcaption><\/figure>\n<p>Uno de los fan\u00e1ticos de la obra de Guill\u00e9n fue Eliseo Grenet. Grenet fue un pianista cubano blanco, que adem\u00e1s fue compositor y director de orquesta. En 1927 escribi\u00f3 la canci\u00f3n \u00ab<em>Ay Mama In\u00e9<\/em>s\u00bb como parte de una zarzuela (un tipo de comedia-musical espa\u00f1ola en la cual se alterna el dialogo hablado con canciones) para la cual la m\u00fasica hab\u00eda sido escrita por el legendario Ernesto Lecuona. Posteriormente, la canci\u00f3n se convirti\u00f3 en un gran \u00e9xito, y puso a Grenet en el camino de componer canciones con temas afrocubanos.<\/p>\n<p>Eliseo Grenet hizo canciones de varios de los poemas en \u00ab<em>Motivos del Son<\/em>\u00ab. Ya para 1932, un a\u00f1o despu\u00e9s de que Guill\u00e9n publicara el libro, Grenet sac\u00f3 una canci\u00f3n de los versos de \u00ab<em>Si Tu Supiera<\/em>\u00ab. Grenet llam\u00f3 la canci\u00f3n \u00ab<em>S\u00f3ngoro Cosongo<\/em>\u00ab. M\u00e1s tarde ese mismo a\u00f1o, Grenet lanz\u00f3 otra canci\u00f3n llamada \u00ab<em>Lamento Cuban<\/em>o\u00bb. La l\u00edrica habla de como Cuba siendo tan bella, sufre tanto. Eso le gan\u00f3 la ira del dictador Gerardo Machado, y persiguieron a Grenet hasta que se fue de Cuba.<\/p>\n<p>Aqu\u00ed est\u00e1 la versi\u00f3n de \u00ab<em>S\u00f3ngoro Cosongo<\/em>\u00bb por Eliseo Grenet.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/SibgALzCnHg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Unos a\u00f1os m\u00e1s tarde, el famoso <em>Septeto Nacional de Ignacio Pi\u00f1eiro<\/em> tambi\u00e9n grab\u00f3 la canci\u00f3n de Grenet. La letra en esta versi\u00f3n evolucion\u00f3 un poco. Uno de los soneos de esta versi\u00f3n fue utilizado por H\u00e9ctor Lavoe en su versi\u00f3n. Contrario a la versi\u00f3n de Septeto Nacional, la versi\u00f3n original de Grenet no ten\u00eda el soneo y coro que se desarroll\u00f3 con el \u00abson\u00bb.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YFZULXJqj5Y\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Versi\u00f3n de H\u00e9ctor Lavoe en \u00ab<em>Comedia<\/em>\u00ab<\/h3>\n<p>En el \u00e1lbum \u00ab<a href=\"https:\/\/latinomusiccafe.com\/2018\/03\/19\/hector-lavoe-comeback-comedia-40-years\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Comedia<\/em><\/a>\u00ab, H\u00e9ctor Lavoe, junto con su ex-compa\u00f1ero y productor del disco <a href=\"https:\/\/latinomusiccafe.com\/es\/2018\/10\/08\/siembra-40-anos-de-la-joya-de-willie-colon-y-ruben-blades\/\" target=\"_blank\" rel=\"noopener noreferrer\">Willie Col\u00f3n<\/a>, tomaron la versi\u00f3n que hizo el Septeto Nacional e hicieron algo memorable.<\/p>\n<p>Willie extendi\u00f3 la canci\u00f3n a cerca de 8 minutos (7:46) e incluy\u00f3 4 mambos en la misma. Por su parte, H\u00e9ctor Lavoe cant\u00f3 21 soneos e hizo buen uso de ellos. Esta gran cantidad de soneos le dio la oportunidad de demostrar su chispa y jocosidad al cantar, algo que siempre ha definido su estilo. A quien m\u00e1s se le hubiese ocurrido hacer un soneo en jeringosa?<\/p>\n<p><em>Nota: jeringosa es un tipo de trabalengua que usaban los teens y pre-teens durante los primeros a\u00f1os de los 70. Se trata de simplemente poner un \u00abchi\u00bb al frente de cada silaba de cada palabra. Las ni\u00f1as puertorrique\u00f1as eran extremadamente diestras en su uso, tanto as\u00ed que lo hablaban tan r\u00e1pido que los ni\u00f1os no pod\u00edamos entender lo que dec\u00edan a pesar de saber el c\u00f3digo.<\/em><\/p>\n<p>Los cuatro mambos en la canci\u00f3n es algo muy raro. Aun as\u00ed, para m\u00ed lo m\u00e1s memorable es que H\u00e9ctor Lavoe hizo la canci\u00f3n una suya, tal como lo hizo con muchos de sus \u00e9xitos.<\/p>\n<p>Resulta raro pensar que \u00ab<em>S\u00f3ngoro Cosongo<\/em>\u00bb surgiese de un poema parte de una revoluci\u00f3n literaria semejante al \u00ab<em>Black Lives Matter<\/em>\u00bb de un siglo atr\u00e1s.<\/p>\n<p>Fue con la versi\u00f3n de H\u00e9ctor Lavoe como t\u00fa y yo conocimos al \u00ab<em>S\u00f3ngoro Cosongo<\/em>\u00ab. As\u00ed que voy a terminar este blog de la misma manera que H\u00e9ctor termin\u00f3 la canci\u00f3n en su \u00faltimo soneo\u2026<\/p>\n<p><em>\u2026\u00bbdime si entendiste Songoro Cosongo, si no lo entendiste no repetir\u00e9\u00bb<\/em><\/p>\n<p><em>Nota: si no has le\u00eddo la Parte 1, puedes leerla <strong><a href=\"https:\/\/latinomusiccafe.com\/es\/2020\/09\/30\/songoro-cosongo-parte-1-revolucion-literaria\/\" target=\"_blank\" rel=\"noopener\">AQUI<\/a><\/strong>.\u00a0<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/n5sfu4kWZ2g\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Las primeras versiones de la canci\u00f3n \u00abS\u00f3ngoro Cosongo\u00ab, y la que hizo H\u00e9ctor Lavoe, evolucionaron del poema que fue parte de una revoluci\u00f3n literaria, la cual examinamos en la Parte 1. Esto es el resto de la historia. Primeras Versiones de \u00abS\u00f3ngoro Cosongo\u00ab Nicol\u00e1s Guill\u00e9n gustaba de usar el entonces joven g\u00e9nero musical del \u00abson\u00bb [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":19139,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"\"S\u00f3ngoro Cosongo\" Parte 2; Primeras Versiones y H\u00e9ctor Lavoe","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1303],"tags":[1325,1530,1354,1528,1317,1527],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;S\u00f3ngoro Cosongo&quot; 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